Saint Augustine Catholic Statue Catholic Art Religious Home Decor 6inch
Another couple might take given upward, only not Craig and Linda Fiebig. Later a botched remodel left their Seattle home nearly uninhabitable, the intrepid duo decided to build a new house on the same property.
"If I hadn't had three kids at the time, I would have called a loft downtown," says Linda, now a stay-at-home mother of four. With that urban archetype in listen, the Fiebigs asked the noted house Vandeventer + Carlander Architects to blueprint a colorful contemporary house that could accommodate the couple's burgeoning art collection and the demands of a growing family unit.
Perched on a rambling corner lot simply minutes from downtown, the new home consists of two parallel boxes linked past a narrow atrium. Support functions such as the kitchen, laundry, stairs and bathrooms are wrapped in ruddy Cor-X steel, while living spaces reside inside a cedar block gear up atop a glass plinth. "We used different materials to code the public and individual spaces and to run into Linda's want for color and variety," says design principal Tim Carlander, who collaborated on the project with his firm's managing partner, Bill Vandeventer, and SBI Structure.
The dwelling's artistic aspirations are evident from the entry, where storefront windows frame a compelling canvas by Chinese American creative person Hung Liu. To the left sits Linda's function, an ocher control centre with expansive glass doors. Steel stairs on the opposite side of the entry lead to the atrium, which divides the business firm into public and private realms. "This house is laid out very functionally," Linda says. "At that place'southward no wasted space."
Steel armatures frame the living area and support the 2nd flooring, freeing the surrounding drape wall to embrace the sylvan setting (the mural architect was Portland'south Samuel Williamson). Glass doors open onto a pair of terraces and the lawn beyond, inviting an easy indoor-outdoor flow that's ideal for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so there'due south nowhere for guests to linger.
Linda kept her color cravings in cheque when information technology came time to decorate. "I really had to fight my impulses, because I didn't desire to steal the thunder from the architecture or the art," she says. The living room (furnished by Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored by a cherry-red Tai Ping carpet. A red zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. By limiting the accents to a single hue, Skelton was able to satisfy the owner'southward desire for color without upstaging the environs.
Artwork adorns every wall, making the pieces more than approachable but also more than vulnerable to the exploits of the family unit'south youngsters: Alec, 17, Tommy, 13, Ingrid, 11, and Rhys, v. "At that place's going to be a certain rate of compunction, and you simply bargain with information technology," shrugs Craig, an Information technology marketing manager. "The two of us have damaged more art than the kids take," Linda confesses.
Click here to see the gallery for "The Artful Dwelling".
Linda, a Midwesterner by nativity, asked for plenty of lite to combat Seattle'due south often gloomy conditions. The architects obliged, lining the atrium'due south walls and ceiling with a about unbroken band of windows. Fifty-fifty the atrium floor is glass, and so light tin illuminate the basement during the mean solar day.
Glass bridges span the void above, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they accept to cross a span to get to the principal bathroom, Linda and Craig don't seem to listen. "My husband gets up at five in the morning time, so while he's getting prepare, I tin can still be over in the bedroom sleeping," Linda says.
Owing to a variety of unforeseen circumstances, the house took six years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their art to friends. (Attending a party one evening, Craig raved about ane of his host's paintings, only to exist reminded that the slice was his.) When they were finally reunited with their art, Linda was overcome. "It was similar a kid coming home from college," she says.
All those years of planning paid off, though. Light and greenery greet the Fiebigs at every turn, enshrining family and art in a setting that is worthy of both. "The firm suits our lifestyle to a tee," Linda says. "People often inquire us what we would change. Nosotros're nevertheless difficult-pressed to come with an reply."
What the Pros Know
The living room fireplace and Linda's office wait as though they're covered in Venetian plaster, but the material is actually Milestone, a hybridized Portland cement adult in the 1980s past Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it water resistant and nearly impervious to cracking and fading. The material adheres to near any surface, then it's ideal for walls, floors, countertops and showers, and information technology accepts the same universal tints used at paint stores, meaning that colour choices are space. The price depends on the project but is comparable to quality tile or stone. Milestone can be purchased just from Artisan Finishes in Seattle (ArtisanFinishes.com), but company president Don Latimer is happy to help homeowners locate qualified installers in their area or to provide educational activity to experienced do-information technology-yourselfers. "It's a fairly forgiving medium," Latimer says. "If you lot accept a failure, it'll be artistic, not structural."
Click here to see the gallery for "The Aesthetic Abode".
Click hither to see the resource.
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Source: https://www.elledecor.com/design-decorate/house-interiors/a3971/the-artful-home-a-61239/
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